KXT UNDERGROUND 2025
Welcome to the KXT Vault
KXT UNDERGROUND 2025
subtlenuance, in association with bAKEHOUSE Theatre Company, present MICRO-nuance at the KXT Vault
MICRO-nuance is pop-up theatre doing what pop-up does best:
small pieces, small places, small prices,
BIG LAUGHS, BIG IDEAS, BIG HEART.
STELLA
29 November - 08 December
Saturday 5pm, Sunday 7.30pm, Monday 7.30pm
6 performances only
Run time: 55mins
She’s going to be famous.
She’s off to join the stars.
But will she ever get back to earth?
An astronaut’s journey.
A confronting comedy about being the centre of the universe.
Space just got personal.
Written and directed by Paul Gilchrist with Cara Whitehouse
Produced by Daniela Giorgi Presented by subtlenunance
It doesn't get a whole lot better than that written, and directed, by Paul Gilchrist Australian Stage
KXT UNDERGROUND 2025
subtlenuance, in association with bAKEHOUSE Theatre Company, present MICRO-nuance at the KXT Vault
MICRO-nuance is pop-up theatre doing what pop-up does best:
small pieces, small places, small prices,
BIG LAUGHS, BIG IDEAS, BIG HEART.
ATLANTIS
08 - 17 November
Saturday 5pm, Sunday 7.30pm, Monday 7.30pm
6 performances only
Run time: 65mins
Sarah and Tom have made serious mistakes.
They're going under.
Zelda says she can help.
Zelda says they can stay.
Zelda says she's the one true heir of Atlantis.
Sure, no-one's got all the answers,
but exactly how many are you allowed to get wrong?
What’s the Truth? And how much does it matter? Should we try to get it right? Or should we just try to get along?
Very funny and deeply moving, Atlantis is a comic tale about the tales we tell.
Written and directed by Paul Gilchrist with Veronica Clavijo, Jimmy Hazelwood, & Sylvia Marie.
Produced by Daniela Giorgi Presented by subtlenunance
a soulful work, full of spirit… its words take hold of our imagination… There is excellent humour Suzy Goes See
a thoughtful, considered and provocative piece Australian Stage
a very fine Australian play. 4 ½ stars Sydney Scoop
Deeply thought-provoking and often hilarious Weekend Notes
subtlenuance's work continues to draw out and thread together entertaining and authentic Australian tales Broadway World
Atlantis was first performed at KXT in 2016, as part of the Sydney Fringe
IMAGERY ABOVE: in the KXT Vault and on the KXT stage
JOIN THE bAKER’s DOZEN
The bAKER’s Dozen is an exclusive group of 13 investors who partner with bAKEHOUSE to support the productions on the Broadway stage CHECK OUT KXT25 HERE
and invest in the many Artist programs that have a home in the KXT Vault READ ABOUT THE VAULT HERE
A one-off donation of $5,000 will be directed to a production or program of your choice. Donating to KXT on Broadway will do many things - but mostly it helps us stage wonderful shows, make new work, support early career and diverse artists, and invest in the future of Sydney’s most exciting theatre makers.
There are heaps of benefits for the bAKER’s Dozen:
you will be invited to select which production or program your donation will support
and you will have the opportunity to meet the artists your donation is supporting
your name will be included in the list of donors and supporters in the KXT Website
you will receive invitations to Opening Nights, Company Celebrations, Events and Donor nights
you will receive a unique code to unlock early booking for all seasons
DONATE via the button below, and we’ll be in touch to for a chat. All donations over $2 are tax deductible
Thank you for supporting KXT on Broadway, Sydney’s most inclusive and supportive independent theatre
Read more about supporting KXT on Broadway via the button below
IMAGERY: The Waves by Patricio Gabriel Ibarra in development in the KXT Vault
INVEST
TAKE A SEAT
The wooden seats have been a feature of KXT since we first opened the doors. Love them or loathe them, with or without the cushions, they’re here to stay - and one of them can be yours!
When you purchase a KXT seat you will join a small and exclusive group of patrons who will support the theatre with a one-off donation of $1,000. In recognition of this support, seat holders will be able to select their seat, which will be painted in a colour of your choosing along with your name. You can request this seat each time you visit KXT on Broadway
The support of seat-holders will be recognised with inclusion in the KXT website, invitations to company celebrations and donor nights. And you’ll get first pick of the season with early booking
DONATE via the button below, and we’ll be in touch to set up your seat. All donations over $2 are tax deductible
Thank you for supporting KXT on Broadway, Sydney’s most inclusive and supportive independent theatre
Read more about supporting KXT on Broadway via the button below
?? READY TO GO ??
WE'RE KEEPING IT SUPER SIMPLE...
SEND us a short covering email telling us why this is the show you want to stage
e: bakehousetheatrecompany@gmail.com
subject line: KXT2026 EOI | [ name of play ] | [your name]
ATTACH a single page doc with a brief overview of the show, why you reckon it should be part of the season, and details of your production and creative team, with any confirmed cast. Please note that all submissions will need a producer & director attached
AND a copy of the script
PLUS evidence of the availability of rights
you must confirm rights are available before submitting
ALSO your short, sexy 100-150 word marketing blurb for the show
INCLUDE 2 options for preferred dates. Please note any months that are NOT suitable for you
this is VERY important
Note if your preferred months fall in the period Jan - March 2026 your submission will be processed as part of the KT2026 Summer Season. Please see below for more details
Got an even bigger idea? No matter how ambitious or crazy, if it's something you're passionate about, we want to hear it!
SUBMISSIONS CLOSE 30 SEPTEMBER
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KXT SUMMER SEASON:
following the success of the KXT2025 Summer Season we’re bringing it back for 2026.
if your preferred dates fall in the period Jan - March 2026, please include this in your subject line so it reads: subject line: KXT2026 SUMMER SEARSON EOI | [ name of play ] | [your name]
submissions for the KXT2026 Summer Season will be processed first, and those on the shortlist will be contacted early in October 2025
WHY?
Productions that are programmed for the period Jan - March 2025 will be announced early to allow adequate time for auditions, promotion and marketing.
Images from the KXT2025 Summer Season
PROPOSED TIMELINE
SEPTEMBER: Call Out
OCTOBER: KXT Summer Season finalised
NOVEMBER: shortlist finalised
DECEMBER: season finalised
SUBMISSIONS CLOSE 30 SEPTEMBER
QUESTIONS? contact us on e: bakehousetheatrecompany@gmail.com with the subject line KXT2026 Question
KXT2026 CALL OUT
at KXT on Broadway, bAKEHOUSE is committed to providing an affordable and accessible venue, providing independent artists with an opportunity to showcase their work, build their portfolio and pay their artists. We’re invested in the sustainability of companies, artists and new work.
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A KXT season features the work of Sydney’s most experienced practitioners programmed alongside our most exciting emerging artists, with a focus on high-risk, quality productions.
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We’re at the forefront of diverse programming, theatre for social change, and gender equity. The bAKEHOUSE StoryLines program is committed to identifying, engaging and investing in the next generation of Australian Stories.
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A season at KXT on Broadway provides genuine pathways for artists to industry opportunities
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KXT leads the way in new Australian work, programming world premieres alongside great local and international plays
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HERE’S WHAT WE OFFER…
SPACE
Your show will have its season in Sydney’s exciting purpose-built indie theatre venue at KXT on Broadway
TIME
Our season dates are selected to provide as much time as possible for bump in, build, tech and rehearsal. That's a full week of tech, with 4 previews before opening. In 2026 we’re offering companies a full week of rehearsal in the KXT Vault FREE OF CHARGE.
A GREAT DEAL
KXT is the most affordable theatre in Sydney with a flat rate weekly hire, which means that profit from your show is yours to pay your artists. bAKEHOUSE significantly subsidises each season, an investment in ensuring artists are paid
ACCESS
we let you in on the Monday then offer easy key access to the space during your hire - by the time you get to Opening Night you've had more than 130 hours in the venue
MARKETING SUPPORT
We promote your work across our social media platforms, subscriber base & marketing networks, and work with you to support your promotional campaign
A CRACKING TECHNICAL RIG
A kick-ass lighting kit, high quality desk & gear, & great sound. Everything your designers need to make your work beautiful.
PLUS
we support your box office for previews & Opening Night AND run your Opening Night event, so you can focus on your show!
ALSO
through a program of production placements for emerging artists we’ll support you with more personnel & connect you with the next generation of artists
BUT WAIT! THERE’S MORE…
Through the bAKEHOUSE Step Up program we’re providing opportunities & support for new work, companies & artists. Which means when you run a season at KXT you’re working amongst the most exciting community of early career creatives in the country
KXT is home to multiple value-adding programs: The Vault at KXT; Storytellers Festival; KXT Crossroads events; The Laboratory; StoryLines, bAKEHOUSE Residencies and more.
When you’re programmed at KXT you become part of a lively and engaged community of artists & audience
“every KXT work in some way pushes forward the Sydney arts scene - its an opportunity for artists to experiment and create, and its a chance for the audience to see where our local performance culture is headed””
WANT to know what we’re looking for?
bAKEHOUSE Theatre Company launched KXT - Kings Cross Theatre to support Sydney’s indie theatre scene and the local arts community. We offer companies heaps of support and maximum autonomy. We’re investing in a sustainable ecology for indie theatre.
We lead the way in innovative programming that delivers support and profile for diverse programming, emerging artists and new writing
click on the images below to check out some of the previous KXT seasons and to read more about bAKEHOUSE
THE NITTY GRITTY
★ seasons at KXT on Broadway in 2026 will run for 3 weeks
★ the KXT on Broadway season includes 4 previews, critical performances designed to ensure your show is at its best by opening night
★ ticket prices are set by the venue each year and are standardised for all productions. KXT on Broadway has many inbuilt affordable, discounted and free ticket options.
★ companies have a full week of rehearsal time available to them in the KXT Vault, for the week immediately prior to their bump in. This is provided to companies in the 2026 season free of charge
★ bAKEHOUSE operates on an upfront venue hire fee, making it the most affordable venue in Sydney
★ Companies have independent access to ticketing, and good venue support with managing ticketing with our venue partners Humanitix.
★ venue specs and company FAQs will be provided when offers are sent out.
★ please be sure that you have attended performances at KXT on Broadway and are familiar with the venue before submitting. Note that we are not equipped for site visits. However, there is always a show in performance, and we encourage you to purchase a ticket
?? READY TO SUBMIT ??
please read all this info thoroughly ++ follow the links yep, ALL of them THEN click on the button below
SUBMISSIONS CLOSE
30 SEPTEMBER
10 YEARS || the bAKEHOUSE IMPACT at KXT on BROADWAY
Ten years ago - In 2015 - bAKEHOUSE was approached by Solotel to build and launch a theatre across level 2 of KX Hotel. Within a month we gutted the room, built the traverse space, and opened the doors to our first season. The first season in the Cross featured work from bAKEHOUSE Theatre, Priscilla Jackman, Kate Gaul and Siren Theatre, Michael Dean & Lies Lies & Propaganda, Tooth & Sinew theatre, Rachel Chant and Shane Bosher, Saro Lusty-Cavallari and the newly launched Montague Basement. We programmed 10 world premieres. There were 7 women-led seasons, as well as the Invisible Circus – an entire festival centring the work of women. Our StoryLines programming found a home in the Cross with the bakehouse season of Black Jesus, a cast that included Dorion Nkono and the professional debut of Elijah Williams, international partnerships with Mumbai-based companies and NFPs for Jatinga, and The Laden Table written by a team of Mulsim, Jewish and Catholic women went into development.
2024 was the first full year of programming at KXT on Broadway. It’s almost impossible to imagine that 18 months ago we were moving from our home in the Cross, and even more difficult to imagine that in 2025 – this year, our 10th year of operation – we would have built a new home for independent theatre. But here we are. So this year is our 10th birthday. We’ll have a big party at Broadway somewhere in the middle of the year, but mostly we’ll celebrate by continuing to do what we love: supporting emerging and early career artists working alongside experienced professionals; programming and supporting the development of the best new Australian writing; inviting artists into our cool bank that’s now a theatre and welcoming people into the bottleneck bar
Trishala Sharma in JATINGA
We’ll dig through the records at some point and come up with the actual numbers, however we can say that thousands of artists have worked on the KXT stage since its inception in 2015. And hundreds of artists who began their careers here, learning the lessons that can only be learned in the cauldron of production, are now working at STC, Belvoir, Griffin, ensemble, Malthouse, Melbourne Theatre Co, and as far afield as Punchdrunk in the UK. While we’re not claiming credit for all of their successes, we are certainly proud to have been able to offer support, guidance and pathways to so many along the way.
Every year we take a minute to look back before we move forward. This is where we’ll often talk numbers – and they’re good numbers: almost 15,000 people through the doors; 220 artists supported at KXT on Broadway on the stage; an additional 118 artists working in the KXT Vault as part of our Artist Support programs; that’s just shy of 340 artists this year; 47% of the season led by Artists of Colour; 80% were women-led seasons; 10 shows in the season were world premieres of new Australian writers and 7 of those were women playwrights; 16 weeks of free rehearsal space to companies; 92% capacity averaged across all seasons (shoutout to the couple of sold out seasons that nudged that figure so high!); 54% of the season had more than 12 artists working on the project
They’re good numbers and they help tell the story of the 2024 season. But this year there’s one number we’re especially proud of:
$232,932
That’s the income generated by work at KXT that went to artists.
And another number $205,000
That’s the financial investment from bAKEHOUSE into work on the Broadway stage: or approx. $5k per week, averaging $15k per season.
Shoutout to the 17 producers who rolled the dice on ticket sales, investing their own cash to get shows onto the stage. Producing work is a labour of love – more so in the indie sector where many producers are forgoing fees, working long late hours, and finagling schedules, budgets and timelines, to get their passion projects in front of an audience. The 2024 season saw 8 new producing companies working at KXT on Broadway for the first time, programmed alongside experienced companies like Secret House and White Box theatre.
Roshelle Fong in NOMNOMNOM
Making art is expensive. But the value it delivers cannot be under estimated: the communities that have been supported; the people whose stories have been told; the audiences who have left changed a little or a lot; the laughter at difficult times… theatre is a crucible for change for good. It’s the home of big ideas and conversations, and at Broadway we’ve been honoured to be a part of that.
KXT on Broadway is now home to multiple value-adding Artist programs: the Vault at KXT; Storytellers Festival; KXT Crossroads events; bAKEHOUSE Residencies; step Up mentoring, the laboratory; and StoryLines. Each year we program new work that comes through our Artist Support programs and we’re proud to say that when you’re programmed at KXT you become part of a fresh and exciting community of artists delivering new Australian work
We want to highlight the residency program. Previous work supported through the bAKEHOUSE Residency program includes: Symphonie Fantastique by the Little Eggs Collective led by Mathew Lee and Julia Robertson; U.B.U. by Tooth and Sinew led by Richard Hilliar; Hubris & Humiliation by Lewis Treston led by Rily Spadaro and Pheobe Pilcher; The Italians by Danny Ball led by Danny Ball, Thomas D’Angelis and Emma O’Sullivan; dog by Shayne; DIWA by Jordan Shea; Mercury Poisoning by Madeleine Stedman; and much more. Our 2024 program at Broadway featured 4 seasons of work that had come through the Residency program. So in 2024 we opened the door wider and welcomed in 20 teams for development. Through January, we invited them upstairs for a showcase season, with a free program of readings and works in progress currently playing. We’ll be announcing our callout for the residency program shortly, alongside a few other opportunities, so keep an eye on socials or subscribe to the eNews for all the latest.
Over the years bAKEHOUSE has been supported at KXT by a slew of other indie companies. In 2025 CrissCross Productions the company Emily & Charlie Vaux run together will continue their work at KXT, alongside kwento, Legit and Montague Basement. Standby for news of more exciting partnerships through 2025
Our thanks also go to Saro Lusty-Cavallari for managing and heading up the Laboratory program; venue staff Lily, Ziggy, Aaron, Charlie, Bill and Emily; Sophie Parker who saved our lighting bacon a few times; and Joanna Erskine for her ongoing work in the Storytellers season, back in 2025, and the bAKEHOUSE Board Renee, Matthew, Steve, Andrew and Michael
bAKEHOUSE at KXT in the Cross: John Harrison, Suzanne Millar, Andrew McMartin
FIND OUT MORE
ANDREW MCMARTIN
Andrew McMartin (he/him) is the Production Manager and one of the founders of KXT. He works, often unseen, to make sure all of the operational elements of the venue are performing as efficiently and safely as they can.
Andrew has a long history working in theatre, events and film. During Covid he attained his Masters in Screen Producing from AFTRS and then went on to be the Senior Production Coordinator for the Australian made 3D animated film My Freaky Family.
Andrew has managed venues and events of all sizes including all the Australia Day activities on Sydney Harbour for the NSW Gov, multiple events for Sydney Festival, Mardi Gras, Tropfest, Sydney Film Festival, Adeliade Fringe Festival, Melbourne Comedy Festival and Edinburgh Fringe Festival among many others.
Andrew has also been a Stage Manager for countless numbers of plays, events and musicals over the years both in Syndey and on tours before he first joined the bAKEHOUSE team in 2013. As the resident bAKEHOUSE Stage Manager and Production Manager he has worked with the team on Human Activity, Coram Boy, Visting Hours, Jatinga, The Laden Table and Black Jesus (KXT - Kings Cross Theatre); The Ishmael Club (Old Fitz); His Mother’s Voice (ATYP Selects); Love Field (TAP Gallery), and the development showings of Two Chairs and His Dark Materials.
Andrew worked with Suzanne and John to create both the first KXT in at Kings Cross in 2015 and the new KXT on Broadway in 2023. Andrew continues to work on the Board and behind the scenes to consult on all aspects of the theatre to help it to continue to develop into the future of Sydney Independent theatre.