WARNING

Content warnings are on the feed again. We used to think - like many others - it was an unnecessary indulgence but ......

We have been in the theatre on 2 occasions when an audience member has been triggered. Once without a foyer announcement or program warning... Terrible thing, just awful. Someone headed out to the theatre for a night and found themselves reliving the most difficult moment of their life. No one would went to do anything to cause such trauma. No one would want to be responsible for that

The second time was with a foyer warning and program and online information. Again, a truly awful thing for anyone to experience. But there was some comfort in knowing that this particular audience member had made a decision to attend based on all the information made available to them.

We have also been in the theatre when someone fainted due to confronting content on stage, and the show was stopped. An incredible display of professionalism followed from ushers who cared for the young man, to the young women on stage who waited in character at the most difficult moment of the play, and the stage manager who called the stop and then the restart.

And we have been in the audience of a play so controversial that we received an email in advance from box office with warnings. And when someone became unwell during the perf due to content, the show was stopped and a well oiled machine moved to make sure she, the audience around her and the cast were safe and well. And an incredible cast picked up perfectly when all was calm

We programmed a play so challenging in form and content that half the audience walked out during the first preview (one shaking her head and muttering to FOH ‘good luck with that’). Literally half the audience. By opening we had tweaked the warnings and content information and the rest of the season went smoothly.

At KXT we often program risky and challenging work. We’re a theatre in a pub in the heart of the city’s so-called but fading red light district. If you’re going to see a play with confronting content it will be here.

We have regularly staged work that other venues have turned down due to content. (We also program happy plays that make you smile and laugh but this post is not about that)

Also we support emerging artists and emerging work, which may mean theatre that pushes the boundaries. It’s how you find the new and exciting voices of the next generation of theatre makers.

Content warnings allow theatre makers to push boundaries, to explore the power of theatre, to discover their (or their audiences) “line in the sand” and to do so freely, confident that they do no harm.

⚠️ WINK by Jen Silverman contains adult themes and nudity

2016 BLACK JESUS

2017 PUNTILA MATTI

2017 DRY LAND

2017 THE LADEN TABLE

2018 DRESDEN

2018 A GIRL IS A HALF-FORMED THING

2019 OMAR + DAWN

2019 MERCURY FUR

KXT a HOME for NEW WRITING

Since launching in 2016 KXT has championed new work, providing both a platform for emerging and established writers, and a space for development.

“The exciting thing about going to Kings Cross Theatre is that you may well be seeing people and ideas at the beginning of their creative lives. You’re watching artists learn new performance languages, test themselves and their audiences, and offer their art in a sincere attempt to connect with an audience in the heart of Sydney. Every KXT work, in some way, pushes forward the Sydney arts scene… it’s a chance for the audience to see where our local performance culture is headed” Cassie Tongue, Time Out Sydney

A SNAPSHOT

KXT2019 FEATURED

Leopardskin by Michael McStay with JackRabbit

The Rime of the Ancient Mariner by Little Eggs Collective with JackRabbit

A Little Piece of Ash by Megan Wilding with JackRabbit

Omar and Dawn by James Elazzi

Doing by Amy Sole for KXTPopupstairs

Sheds in the City by Charlie Vaux in dev

StoryLines for Cana Community in dev

Storytellers Festival  

Step Up Festival

Infidelity and Enlightenment by Lauren Bonner for KXTPopupstairs

Falling Skies by Braden Frascone for KXTPopupstairs

Ignite by the writers of New Ghosts Theatre

Rosaline by Joanna Erskine

nomnomnom at KX by Roshelle Fong for KXTPopupstairs

Rudy & Cuthbert presented by Toby Blome and Zelman Cressey-Gladwin for KXTPopupstairs *Melbourne 2020

Surf Séance by Rachel Kerry for KXTPopupstairs

A Little History Play by Caleb Lewis for Batch Festival

But You Don’t Look Sick by The C Collective in dev

UBU by Richard Hilliar for KXTPopupstairs

Honey Boo Boo Blood & Gore by Carissa Licciardello in dev

Confessions of a Custard Melon Pan by Arisa Yura in dev

Fortitude by Richard Graham in dev

Betty Breaks Out by Liz Hobart for KXTPopupstairs

Maureen, the Harbinger of Death by Jonny Hawkins with JackRabbit

We support new writing with the following programs:

THE LABORATORY

a writer’s circle program for developing work, peer networking and dramaturgical support, a bAKEHOUSE / Montague Basement partnership.

STORYTELLERS

a pop-up celebration of playwrights and words. the presentation of full-length plays, small pieces of writing, and special events

WRITE UP

offering space and time for the early development of new work

POPUPSTAIRS

a creative space sharing initiative in partnership with KX Hotel, based in the Bordello and utilising other unused rooms and spaces, providing a platform for experimental and non traditional theatre

KXT programming has featured new work from the following

WRITERS

Michael Costi - Yvonne Perczuk, Nur Alam, Raya Gadir, Chris Hill, Marian Kernahan & Ruth Kliman - Purva Naresh - Justin Fleming - Philip Rouse - James Raggett - Noëlle Janaczewska - Priscilla Jackman - Jessica Tuckwell - Sunny Grace - Clare Hennessey - Paul Gilchrist - Jetpack - John Harrison - Constantin Costi - Melita Rowston - Ellana Costa - Tobias Manderson Galvin - Dr Tom Payne - Melissa Lee Speyers - Laura Lethlean - James Elazzi - Joanna Erskine - Katy Warner - Gretal Vella - Michael McStay - Megan Wilding - Liam Maguire - Little Eggs Collective - Lauren Bonner - Braden Frascone - Jonny Hawkins - Arisa Yura - Carissa Licciardello - Rachel Kerry - Toby Blome & Zelman Cressy-Gladwin - Roshelle Fong - Liz Hobart - Jodi Rabinowitz - Angus Cameron - Alexander Lee-Rekers - Saro Lusty-Cavallari - Jackson Used - Laneikka Denne - Sam O’Sullivan - Charlotte Salusinszky - Nikita Waldron - Saman Shad - Ally Morgan - Amy Sole - Danny Ball - Richard Hilliar - Simon Thomson - Xavier Coy - Charles O’Grady

★ ★ ★ ★

Visiting Hours (2016, 2018) - The Laden Table (2017) - Jatinga (2017) - Dresden (2018) - Night Slows Down (2017) - Youth + Destination (2017) - Good With Maps (2016) - The Angelica Complex (2016) - Tiny Remarkable Bramble (2016) - Transience (2016) - Atlantis (2016) - Rhinoceros (2016) - Shut Up and Drive (2016) - Kaleidoscope (2016) - Between the Streetlight and the Moon (2017) - Before Lysistrata (2017) - Puntilla/Matti (2017) - A Christmas Carol (2017) - Two Hearts (2018) - Youth + Destination (2018) - Dresden (2018) - Omar and Dawn (2019) - Rosaline (2019) - Shandy’s Corner (2019) - Rudy and Cuthbert (2019) - Good People (2019) - Leopardskin (2019) - A Little Piece of Ash (2019) - Rime of the Ancient Mariner (2019) - Australian Open (2020) - Hubris & Humiliation (2020) - Fighting (2020) - The Linden Solution (2021) - You’re Not Special (2021) - Lilac (2021) - Tongue Tied (2021) - Videotape (2021) - Symphonie Fantastique (2021) - Dead Skin (2021) - Little Jokes in Times of War (2021) - Falling (2021) - The Marriage Agency (2021) - Not Today (2021) - UBU (2021) - The Park (2021)

STORYTELLERS 2019

TUESDAY 27 SEPTEMBER 7.30 PM

Rage Room by Angus Evans + bonus The Chair Light as a Feather by Andrew Lindsay

Dir: Fiona Hallenan-Barker With Claudia Barrie, Richard Cox, Will Bartolo, Lara Lightfoot, Helen Tonkin, Karlie Evans, Jasmin Simmons, Alex Kelly, Andrew Lindsay

WEDNESDAY 28 SEPTEMBER 7.30 PM

LAUNCH EVENT A taster of new work from Festival writers ++ a networking night for writers and industry on the KX Hotel rooftop.

THURSDAY 29 SEPTEMBER 7.30 PM

Ties that Bind: Tales of inescapable human connection

The World According to Jerry by Xavier Coy • New Gods by Mark Langham • I Think I Hate Myself by Jasper Lee-Lindsay • Karma by Michelle Morgan • Crocodiles by Vidya Rajan • Lilac by Jackson Used

Directed by: Shane Anthony, Erica Brennan, Rebecca Blake, Patrick Howard With: Mark Langham, Lib Foster, Kieran Foster, Brendan Miles, Kate Skinner, Tom Matthews, Dilroop Khangura, Amelia Campbell, Tim Kemp, Brett Rogers, Samm Ward, Morgan McGuire, Suz Mawer, Abi Rayment, Eloise Snape, Guy O’Grady

FRIDAY 30 SEPTEMBER 7.30 PM

Mother Tongue A powerful night of female voices and stories

Stella Started It by Donna Abela • Dead Skin by Laneikka Denne • Tower Living by Hannah Grant • The Witch by Alison Rooke • Tampax? by Chloe Schwank • The Princess Party by Samira Spring • History by Lily Stewart

Directors: Kim Hardwick, Sophie Kelly, Jane Grimley With: Zoe Carides, , Deborah Galanos, Eloise Snape, Rizcel Gagawanan, Victoria Greiner, Camilla Turnbull, Chloe Schwank, , Lily Stewart, Hannah Grant, Alicia Fox, Andrew Guy, Meg Clarke, Jasmin Simmons, Alexandra Morgan

SATURDAY 31 AUGUST 3.00 PM

REINVENTIONS New stories inspired by classic works

Factory by Christopher Bryant (after Marat/Sade) • The Starchitect by Emma Gibson (afterThe Master Builder) • (We Ate) The Poisoned Apple by Lana Morgan (after The Twelve Dancing Princesses)

DIRECTORS: Kirsty Kiloh, Luke Holmes WITH Keila Terencio, Suz Mawer, Rizcel Gagawanan, Mary Haire, Dilroop Khangura, Kaitlyn Thor, Firdaws Adelpour, Alexander Spinks, Zeadala, Yana Morgan, Steve Corner, Madeline Stedman, Lucy Green

SATURDAY 31 AUGUST 7.30 PM

The Greer Effect by Vanessa O'Neill

Keeping Time by Sophia Davidson Gluyas & Max Hopwood

A new work about Australia's most renowned and outspoken feminist, and a local story told with heart, humour and music.

Cathy Hunt With: Elizabeth Nabben, Amanda Stephens-Lee
Sophia Davidson Gluyas With: Ben Gerrard, Margarita Gershkovich, Graeme McRae, Dannielle Jackson

SUNDAY 1 SEPTEMBER 5.00 PM

Son of Byblos by James Elazzi

Adam and Claire, cousins from Lebanese Australian families, come to terms with their sexualities, at odds with cultural expectations. An urgent new play from the writer of Omar and Dawn.

DIRECTOR Dino Dimitriadis with Mansoor Noor, Nisrine Armine, Simon Elrahi, Deboarah Galanos

TUESDAY 3 SEPTEMBER 7.30 PM

Help Yourself by Keziah Warner

A comedy about the complexity of human relationships, real and imagined. Joni has the perfect relationship, in fact, it's too good to be true. When her mother invites Joni's imaginary boyfriend to dinner, hilarity ensues.

Directed by Lucy Clements With: Di Adams, Brandon McLelland, Chantelle Jameison, Claire Lovering, Jake Speer

WEDNESDAY 4 SEPTEMBER 7.30 PM

Mother Tongue A powerful night of female voices and stories

Stella Started It by Donna Abela • Dead Skin by Laneikka Denne • Tower Living by Hannah Grant • The Witch by Alison Rooke • Tampax? by Chloe Schwank • The Princess Party by Samira Spring • History by Lily Stewart

Directors: Kim Hardwick, Sophie Kelly, Jane Grimley With: Zoe Carides, , Deborah Galanos, Eloise Snape, Rizcel Gagawanan, Victoria Greiner, Camilla Turnbull, Chloe Schwank, , Lily Stewart, Hannah Grant, Alicia Fox, Andrew Guy, Meg Clarke, Jasmin Simmons, Alexandra Morgan

THURSDAY 5 SEPTEMBER 7.30 PM

Ties that Bind: Tales of inescapable human connection

The World According to Jerry by Xavier Coy • New Gods by Mark Langham • I Think I Hate Myself by Jasper Lee-Lindsay • Karma by Michelle Morgan • Crocodiles by Vidya Rajan • Lilac by Jackson Used

Directed by: Shane Anthony, Erica Brennan, Rebecca Blake, Patrick Howard With: Mark Langham, Lib Foster, Kieran Foster, Brendan Miles, Kate Skinner, Tom Matthews, Dilroop Khangura, Amelia Campbell, Tim Kemp, Brett Rogers, Samm Ward, Morgan McGuire, Suz Mawer, Abi Rayment, Eloise Snape, Guy O’Grady

FRIDAY 6 SEPTEMBER 7.30 PM

REINVENTIONS New stories inspired by classic works

Factory by Christopher Bryant (after Marat/Sade) • The Starchitect by Emma Gibson (afterThe Master Builder) • (We Ate) The Poisoned Apple by Lana Morgan (after The Twelve Dancing Princesses)

DIRECTORS: Kirsty Kiloh, Luke Holmes WITH Keila Terencio, Suz Mawer, Rizcel Gagawanan, Mary Haire, Dilroop Khangura, Kaitlyn Thor, Firdaws Adelpour, Alexander Spinks, Zeadala, Yana Morgan, Steve Corner, Madeline Stedman, Lucy Green

SATURDAY 7 SEPTEMBER 3.00 PM

You’re Not Special by Sam O’Sullivan

A dark romantic comedy about relationships, technology and the dangerous line between truth and fiction in a digital age.

Dir: Dom Mercer, with Aileen Huynh, Jack Angwin, & Kate Cheel

SATURDAY 7 SEPTEMBER 7.30 PM || FIRST OR WORST

Australia’s great writers share their s#!t for one night only. A hilarious night of writing that has deliberately been kept from public view, until now. Performed by a stellar cast, this is writing never to be seen again. Seriously.

With work from Lucy Bell, Lachlan Philpott, Caleb Lewis, Justin Fleming, Donna Abella, Joanna Erskine

Director Felicity Nicol With Matthew Backer, Anthony Taufa, Megan O’Connell, Laurence Coy, Kate Beckett, Mansoor Noor, Nyx Clder, Felix Gentle, Stacey Duckworth

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What’s in it for writers? Storytellers Festival is a showcase of new work. The Festival provides an opportunity to share work and invite people to hear your work, to further generate audience interest in new Australian writing, create new networking opportunities for writers, and encourage industry to hear work that is ready for production. Last year many writers connected with directors, producers and other artists taking these relationships forward with their work. A number of writers had their work programmed or continued developing their work following its Festival presentation.

Ticket prices will be kept low to encourage repeat audience attendance throughout the Festival. Box office will cover costs (minimal) after which 100% of remaining box office will be shared as a remuneration for participating writers, in both Spotlight and House Lights categories.

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KXT IN REVIEW

★★★★ ★★★★ ★★★★ ★★★★

MERCURY FUR

presented by White Box Theatre + Hasemann Ball and Rada

though provoking …weirdly entertaining – Broadway World

hilarious and heartbreaking – State of the Art

The energy of a committed cast binds you to your chair – Audrey Journal

BLOOD ON THE CAT’S NECK

presented by Montague Basement 

A visceral experience – Suzy Goes See

feels fresh half a century on and half a world away – Audrey Journal

A vibrant piece that stands out amongst Sydney's theatre scene – Playwave

nomnomnom

devised and directed by Roshelle Fong

★ SEASON SOLD OUT ★

will have you both laughing and crying. Just be prepared to do some pretty strange things for the sake of customer service – theatre travels

HI-JACKED RABBIT

Hi-Jacked Rabbit… what’s THAT about?

STEP UP ON STEROIDS

Providing opportunity and support for new companies, new artists and new work is a part of the bAKEHOUSE DNA. We’ve been doing it since we first kicked off eleven years ago, and we formalised it all at KXT in 2018 with the Step Up program. We’ve had the great privilege of being in the room when someone falls in love with acting and when a new play is born. When a half-made play finds its way. We’ve taken a chance on new designers and young directors and we’ve seen them rise to the occasion and flourish. New companies have launched at KXT, and emerging companies have built their work.

In their few short years of producing, JACKRABBIT THEATRE  have supported an incredible amount of new Australian work, backing first time writers, emerging producers and young directors in a way that few other indie companies in Sydney can match.

In January 2018 they kicked off the KXT season with Will O’Mahoney’s wonderful Tonsils + Tweezers. And we wondered what might happen if they had a home.

Well, this happened...

TWO'S A COMPANY by Sarah Greenwood

ART v GARBAGE: Dumpster Divas

WRATH by Liam Maguire

LEOPARDSKIN by Michael McStay

THE RIME OF THE ANCIENT MARINER

A LITTLE PIECE OF ASH by Megan Wilding

SENSITIVE GUYS by MJ Kaufman

MAUREEN work in progress by Jonny Hawkins

UP THE GUTS by Jane Mahady & Suzannah Kennett Lister

Hi-JackedRabbit presented by JackRabbit Theatre, in partnership with bAKEHOUSE Theatre Co, Little Eggs, and Cross Pollinate productions, and made possible by the support of KINGS CROSS HOTEL

HI-JACKED RABBIT

26 February - 1 March

JACKRABBIT THEATRE kicked off their Hi-Jacked Rabbit season with a double bill of what they do best: new, fast, and loud

TWO’S A COMPANY by Sarah Greenwood

Have you suffered through love before? Come and commiserate.

Dir: Charlie Davenport

With: Sarah Greenwood, Jack Scott, Brittany Santariga, Will McNeill, Shannon Ryan and Emma O’Sullivan

TECHNICAL: Charlie Vaux | PHOTOGRAPHY: Clare Hawley

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A SYDNEY MARDI GRAS EVENT

DUMPSTER DIVAS: ART vs GARBARGE

We’re here. We’re Queer. We have everything to fear. A Mardi Gras Sketch Comedy

“Creative and clever, the work encompasses virtually all that is resonating within our immediate zeitgeist, effectively shaping itself into a condensed representation of our life and times. highly recommended”

- - Suzy Goes See

Written and Performed by
Salem Barrett-Brown, Danni Paradiso and Rory Nolan

TECHNICAL: Charlie Vaux | PHOTOGRAPHY: Clare Hawley

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things to know if you’re coming to see a show at KXT…

• we’re on the second floor of Kings Cross Hotel, across the road from the coke sign.

from the ground floor bar: head up the stairs to level 1 balcony bar - - you’ll see this sign on the door by the pool table.

make a pit stop at the bar as you walk past. You can bring your drinks into the theatre. 

TIP: maybe buy a show drink? Each season the cool cocktail makers at KX hotel come up with a themed drink to go with the show. Show drinks are all only $10 

• nearest bathrooms are on that level too

• yep, there’s an excellent kitchen in the hotel with excellent food. But make sure you arrive early, cause you can’t bring food into the theatre. Not sure if you’ve got time? Then let the bar staff know you’re going to the show and check to make sure

• if the stairs are a problem for you then we have lift access to the theatre. We’ll pop down before the show and check to see if anyone needs a hand. It’s a little bit of a rigmarole but we’re super happy to get that done for those of you that need it: accessible theatre is important to us. But it’s not a convenience thing - our stage managers are really busy getting the show on for you - if you can make your way up without assistance it’s an easy walk, so please do head on up. 

• doors at KXT open 30mins before the show. Sometimes we might be a little late opening: we’re an indie venue and there’s only a few people getting stuff done. We’re super grateful to our audiences for their patience 

approx 15 mins before the show is due to start we’ll open up the foyer. Sometimes actors need to warm up and we want them to be able to get ready for the show. But we’re keeping an eye on social distancing in the theatre foyer so we might get it opened a bit earlier.

• Seating at KXT is not reserved, and there are no bad seats! They all have great sight lines (and none of them have cushions ...) So there’s no need to queue up. 

• from time to time we might start the show late. We try to make sure we start at 7.30 but sometimes everyone arrives at box office at 25 past 7 and it’s not possible to process that many tickets quickly. You could help us get started on time by picking up your ticket earlier. Why not get in when doors open at 7.00 then go buy that drink? 

BUT don’t count on a late start! Mostly we get it going on time, and like all indie venues KXT doesn’t admit latecomers. NO REFUNDS for latecomers

• our FOH personnel are all volunteers. If you’re unhappy about something please don’t give them an earful! We need these kind and generous people to give up their nights and weekends to keep the theatre going and they deserve our thanks! If you’ve got a concern about KXT or the hotel then the best way to deal with that is to email us via the contact us page in the website 

we like to stage shows that other venues wont do: risky unknown stuff. So sometimes they’re a bit racy with a bunch of content warnings. Or they’re new. Or it’s adult content. Don’t be offended! You can read up on the shows over on the website. It’s good to do that before you book your ticket

• KXT admits under 18s. We love our young theatre goers, and want you to fall in love with KXT and come back for years and years and years! But KXT is in the most regulated area in Sydney, so be prepared to say hi to security ++ if you’re under 30 KXT runs discount nights just for you: Thursday is our $20 for 20s, the cheapest ticket in town. Book online and bring ID. 

• when we first started up not much was happening in the cross. But things are changing and there will often by bands, events or live music happening on other levels. We work closely with hotel management to control noise spill and we’re pretty sure it won’t disrupt your enjoyment of the show.

But if you do hear some distant sound we like to think of it as the sound of the cross coming back to life 

• questions? Problems? Concerns? Then message us via the website. But be patient, we’re unstaffed and it can take a few days for us to get back to you

what’s that about? KXT is completely unfunded. And we want to make sure all $$ got to the artists so we’re not paying anyone to reply to your emails. It’s our investment in the sustainability of independent companies. We’re kind of like a collective, a committed group of professionals working hard - for nix - to keep the doors open. We need you to know this so you’ll be kind to us! We work very hard because we believe that artists are the life blood of a city ...and the govt won’t yet give us any money.  

do you think we should get funding? Then contact city of Sydney council and tell them! We’ve asked a bunch of times but ... 

do you want to support our work? We’re mostly sorted for personnel but if you’d like to donate then get in touch! Every little bit helps 

• things are going well! but we’ve only been doing it for 4 seasons and we’re still building our venue loyalty. So we need you to help us spread the word. If you like the show please let everyone know. The price of a ticket goes some way towards offsetting the costs of the production - which is when artists get paid. We’ve had a few sold out seasons : which is AMAZING, Thank you!! But sometimes we’re surprised by good shows that play to small houses. Help us spread the word! 

• you can keep up by subscribing to our eNews, it’s got all the info. Or head over to our socials for the latest news as it happens 

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MUSIC

VALUE ADDING

SUNDAY 30 SEPTEMBER: Close out Fringe season with a unique musical experience up in the GLASSHOUSE first revealed as part of the bAKEHOUSE SOLD OUT season of Visiting Hours, and christened last week by Jonny Vaux from Bas & Co. This week take the lift to the rooftop, then head upstairs for a special up close and personal set from

Charles Wu of EARTHQUAKE MAGNIFICENT.

Kicks off at 3pm, limited availability so get in early

GLASSHOUSE

ROSE COSTI

PYJAMA SUNDAYZ

CHARLES WU

JASON WINSTON

DOLLAR BIN DARLINGS

SUNDAY 23 SEPTEMBER Kick off with something super special somewhere super special. Head upstairs at 5pm to start the night in the GLASSHOUSE Sydney’s newest and most exciting new venue, up in the Kings Cross clouds. BAS & CO break out some acoustic pop rock for an exclusive and select audience. watch the sun go down with the early session; see the lights come on with the after dark session; and hang out for the late night session.

strictly limited availability

THEN

PYJAMA SUNDAYZ take over Level 4 with their unique blend of alt pop. Featured on Triple J unearthed and regulars on Sydney’s live music scene, you won’t want to miss catching them in action in the luscious Bordello room up on 4.

Bar opens 8.00 pm

September PSAs

in September 2018 bAKEHOUSE & KXT have transformed Level 4

EVERYBODY LOSES

MOMENTUM

NO STRINGS ATTACHED

PYJAMA SUNDAYZ

THE ART OF SURVIVAL

JUST ADD HAZE...

BONUS (KXT)

BONUS The Glasshouse

BONUS (KXT)

BONUS development

The Art of Survival

Wednesday 12 September, 7:30 pm

FREE - REGISTRATIONS ESSENTIAL

A PUBLIC SERVICE ANNOUNCEMENT from the KXT CROSSROADS program

Meet Commander Ken from Careflight Australia, the man who has led numerous rescue teams at major disasters,  including the 2004 Boxing Day Tsunami in Banda Aceh and the 1998 Sydney to Hobart yacht race.

Join bAKEHOUSE Co-Artistic Director John Harrison in conversation with Ken as he relives stories from the front line of Australia's local and international disaster response.