HERE WE GO...

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OPEN THE DOOR is the bAKEHOUSE open access philosophy that is core to KXT. By developing deep community connections with Not-For-Profits and local organisations, we’ve been able to provide free tickets to those who would not otherwise have been able to attend theatre. We’ve worked with our partners at KX Hotel to make sure our theatre is accessible, with full lift access, gender neutral facilities, all ages access and relaxed performances. We’ve offered heavily discounted tickets to young audience members.

2020 has been a rough year. The cost of Covid to the arts community is immeasurable and we expect to feel its impact for years to come. We’ve spent the past few months developing work, offering peer networking, connecting early career artists with industry mentors and upskilling producers.

By reopening with a broad program of Artist Support we’re equipping producers and companies to quickly deliver quality productions, investing in the future success of their work.


We’re supporting 12 producers, 7 companies, 3 designers, 10 emerging writers and 6 directors. We’ve got a couple of covid commissions in the pipeline. We’re continuing our Covid response programs Phone a Friend and Pay It Forward, and rolling out further initiatives designed to keep us connected and moving forward together.


Open the Door is the bAKEHOUSE investment in the future of independent theatre.



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the bAKEHOUSE 2020 Residencies at KXT

have been made possible by the generous support of KX Hotel and Solotel with additional funding support from the City of Sydney


LOOK BACK / MOVE FORWARD

KXT is a busy theatre. A year features back to back seasons in the Kings X Theatre, a year-round popup program in the Bordello, multiple support programs for Artists included emerging writers and new work, a year-long season of play reads, a formalised platform offering mentoring and opportunities for young and emerging artists, and multiple open-door meet ups and networking events

2020 has been a wild ride. The lockdown and temporary halt to all productions was an extraordinary event, and our sector will likely feel its impact for some time yet. Here at KXT the Cost of covid has been high and has meant the cancellation of

14 full scale productions

9 pop up seasons

3 platform programs for new writers

the 2020 mentoring team

6 scheduled play reads

6 networking events

9 production placements for emerging artists (internships)

A month-long fringe program

10 foyer meet-ups

4 artists networking opportunities

 In March when theatres went into lockdown, we had just seen the opening week of Everybody by Brandon Jacobs-Jenkins in a warmly received and well-reviewed season by Cross Pollinate Productions, one of only 3 seasons that made it to the KXT stage. We closed the doors mid-run of a play that took an existential look at the meaning of life, love and death. We had snuck in another season of Charlie Vaux’s Popup Comeout a little festival that does a lot, and we were scheduling meetings to finalise the 2020 Step Up team.

 We made the decision early to leave screen to those best skilled in the medium. Rather we threw all our focus into building a broad program of Artist Support, moving some existing initiatives to a digital platform, extending others to offer more, and launching some new programs. We were most concerned for those artists who were on their way, and for whom the momentum of 2020 was key to the development of their career. With Phone A Friend Rebecca Blake worked with us to connect industry professionals with young producers, directors, designers and actors, Bounce Back was our investment in upskilling emerging producers so they are well equipped to deliver quality work quickly, and we launched The Laboratory, a writer development program led by Saro Lusty-Cavallari, that this year was launched digitally.

 The hard data from the previous 12 months tells a story: 21,928 people attended productions at KXT. 476 artists participated in productions - with additional artists participating in our many industry support programs and events, such as KXTeethcutting our regular play reading program run by Legit Theatre Co. Also in 2019: KXT provided opportunities for 103 working artists in production support and technical design.

 Less than three months in our 2020 season was on track to exceed these numbers.

 There’s nothing quite like a global pandemic for triggering an analysis of how we spend our time, and like many of us we looked closely at how we do what we do and why we do it. And we’re here for another year. The arts, and the independent sector most particularly, is as always fragile, uncertain and underfunded, and we hope that we move forward with a greater understanding of our inter connectedness, and the need for us to work together more closely, and in support of one another.

When the govt said we could open up back in July, Health regs around social distancing meant our audience was at 25% a number that at the time made it impossible for producers to pay artists even the smallest fee, so we made the decision to focus on our Artist Support program with a series of residencies at KXT, investing in the future by supporting 12 producers, 7 companies, 3 designers, 10 emerging writers and 6 directors.

This has only be possible due to the patronage and ongoing support of our partners at KX Hotel and Solotel.

Back in March we made the commitment to every producer programmed for 2020 that their show was not cancelled, but rather postponed, and we are thrilled that our 2021 launch features some highly anticipated work. We’ve made room for some important new shows and exciting surprises, and we’ll be back in 2021 bright eyed and bushy tailed, newly excited for it all.

2021 // ANNOUNCING…

KXT Storytellers is a pop-up celebration of playwrights and words, the presentation of full-length plays, small pieces of writing, and special events created, launched and curated by Joanna Erskine. The festival has showcased 51 plays, pres by 34 directors working with hundreds of actors.  

Productions of scripts that had their first showing as part of Storytellers include: James Elazzi‘s plays Omar + Dawn and Son of Byblos, The Park by Simon Thomson, Jackson Used’s Lilac, Deadskin by Laneikka Denne, Sam O’Sullivan’s You’re Not Special, and Orange Thrower by Kirsty Marillier. Plays have continued dev as part of STCs rough drafts, and have been programmed at Griffin, NToP, Belvoir and KXT. 

 These are extraordinary results from 2 short seasons, thanks to Jo Erskine’s skill and hard work. Storytellers will be back in 2021 and we can’t wait to see what gems are discovered and polished

The Laboratory is a collaboration between bAKEHOUSE and Montague Basement that aims to foster emerging writers on the cusp of presenting their work on independent stages. Conceived before 2020 did what 2020 did, the writers of The Lab have spent their lockdown with Montague Basement co-director Saro Lusty-Cavallari developing new plays. The Lab Report will be the first public showing of these exciting new works, developed over a weeklong intensive with an amazing team of generous actors. As we emerge from a dark year into a hopefully brighter future, we can’t wait to share the work that’s been created that we have no doubt will be making its way to local stages very soon…

The 2020 Laboraoty writers are Margaret Thanos, Amber Spooner, Declan Coyle, Sime Knezevic, Rebecca Blake, Alex Travers, Jasper Lee-Lindsay, Eric Jiang. The 2020 Lab Report ran over the weekend of 12 and 13 December at KXT, and delivered some astonishing results. Keep an eye out for what happens next.

Applications for the 2021 Laboratory open in January. Check back for details

bAKEHOUSE has long provided opportunities and mentoring, pairing new and emerging artists with professional and experienced practitioners in the crucible of production. STEP UP at KXT is a philosophy ~ a way of working in our sector that connects artists; builds pathways; nurtures new work.

In recent years we’ve focused on a team of young and emerging artists as they put together the building blocks of their careers. Since 2018 Step Up team members have launched their own companies; jumped into opportunities at Darlinghurst TC, NToP, Belvoir, Griffin, Hayes Theatre, Carriageworks and more; some have gone on to study at NIDA, VCA and WAAPA, and others are recipients of highly regarded awards such as the Rose Byrne scholarship, and the Andrew Cameron fellowship. We’re extremely proud of the pathways that have grown from the work at KXT.

Step Up is back in 2021, tweaked and refreshed, and we’ll be opening up applications for the team in January

KXTs profiling of new writing has evolved from the long-held bakehouse commitment to showcasing new Australian work, with productions over the past 10 years of her holiness, Coup D’etat, a Land Beyond the River, His Mother’s Voice, and Junction all grounded in a focus on the too often untold stories of Australia, and our place in the world. 

Most recently in 2019 at KXT we were proud to partner with JACKRABBIT Theatre for the world premiere of Megan Wilding’s A Little Piece of Ash; and then went on to stage James Elazzis Omar + Dawn; the restaging of Tabitha Woo’s A Westerner’s Guide to the Opium Wars; and the award-winning GREEN DOOR THEATRE CO production of Good Dog. Our Popupstairs program featured the world premiere of Doing by Amy Sole.

In 2016 the first bAKEHOUSE production at KXT was the Australian premiere of Black Jesus by Anders Lustgarten with our StoryLines champion Elijah Williams in the title role, and in 2017 we were able to finally bring to the stage The Laden Table and Jatinga, both large cast productions developed over many years with the latter the result of our ongoing work in the slums of Mumbai. Storylines is the umbrella under which all this bAKEHOUSE work sits.

There’s more - much much more - and we are honoured to have partnered in the work with writers, actors, directors and producers who saw the need for and value of changing the stories on our stages. 

In 2021 we step it up.

We have dedicated time in August / September for a StoryLines season, showcasing the work of artists of colour. We’re making room for up to 3 productions by writers of colour, selected by an open call out and playing alongside a support program of play reads and artist workshops.

The program will be led by our StoryLines Ambassadors Renee Lim, and Elijah Williams. We’ve worked with Renee for 10 years now, at Seymour Centre, NIDA, Riverside, ATYP and now KXT. She has been a cast member on a swathe of bAKEHOUSE productions and has served for a time on our Board. We first worked with Elijah Williams on the very first iteration of StoryLines back in 2009, which featured A Land Beyond the River, a play based in part on his life, and then again in 2012 at NIDA and Tamarama Rock Surfers, and in development in 2013 at CRACK festival and ATYP. Elijah’s professional debut was here at KXT, where he was nominated for Best Newcomer.

We plan to move on fresh from the bin fire of 2020, knowing that Sydney’s indie sector is strong, inspired and so very capable, and as always up for the challenge, leading the change and the charge. Thank you for your faith in us. Thank you for being here. Thank you for making it through

**2020 isn’t done with us yet. Click HERE to read a letter from MKA Theatre of New Writing


 


DEVELOPMENT

2020 has been a rough year. The cost of Covid to the arts community is immeasurable and we expect to feel its impact for years to come. At a time when audience numbers were limited meaning producers were unable to manage realistic budgets and pay artists, we decided to open the doors of KXT to our artistic community. thanks to the generous support of our partners at KX Hotel, we’ve been able to spend the past few months developing work, offering peer networking, connecting early career artists with industry mentors and upskilling producers.

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WARWICK DODDRELL working with Snatched Theatre Collective // Reimagining Sputnik 1

In 2019 Warwick Doddrell directed If We Got Some More Cocaine I Could Show You How I Love You pres by Green Door Theatre Company at KXT. This year, as theatres closed down, Snatched Theatre Collective were preparing to stage the premiere season of Madeleine Stedman’s play April Marlowe’s Abortion, directed by Hannah Goodwin for the Belvoir 25a season.

We’re thrilled to have the team in at KXT for work on their latest project. Stay tuned for more


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"Nonna hated this place when she arrived. She thought this was a godforsaken country. She had the classic 60s housewife thing, where she'd have a drink when no one was noticing ... she'd, she'd - yeah, so I noticed her doing stuff like that, sneaking in extra drinks, always like 'where's the wine? where's the brandy' ... And then of course the Joan Crawford moment, and the top of the stairs with the dressing gown..."

Danny Ball, Jeremi Campese, Thomas De'Angelis and Emma O'Sullivan are co-creating and writing a new Australian play exploring the Italian-Australian experience across generations.

Danny Ball has been in the middle of some of KXTs most audacious work: from seasons of Mercury Fur and The Serpent’s Teeth, the 2017 development of LADS, to launching and co-producing the first seasons of play read programs KXTeethcutting and Storytellers. Jeremy Campesi is back at KXT after Rosaline (2019), Yen (2018), and DNA (2018). Emma O’Sullivan has worked at KXT in the bAKEHOUSE production of Coram Boy and with JackRabbit Theatre for the HiJacked Rabbit season, and Thomas De’Angelis is one part of Bontom productions, co-presenting Disparate Scenes for Millenial Dreams with Periscope Productions.


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image: from the 2017 UK production

Emily Buxton will be taking over the KXT space to workshop UK playwright Glenn Waldron’s play Natives - all about the generation of “digital natives” that are growing up with the internet. She’s excited to work with a team of incredible young actors to explore a bold work that champions young voices and experiences.

Emily was a member of the KXT2019 Step Up team


TOOTH AND SINEW have been regular visitors to KXT with successful seasons going right back to the start of 2016’s Year of the Family. Also Osama the Hero and the groundbreaking U.B.U. featured in 2019s inaugural Popupstairs season. They’re back in the theatre with a development season, led by Artistic Directors Richard Hilliar and Nicole Wineberg

Taking its inspiration from Euripides' The Bacchae, Agave is an exploration of misogyny and what options are available to women who want to destroy it.

Tooth and Sinew has grown passionate about creating brand new work for the stage and developing these pieces through exploration, improvisation and discussion. Experimental and consciously theatrical, this development period is essential to distil many ideas into a cohesive whole.

We look forward to seeing what kind of messes we can make back in the theatre.


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Over three weeks in October, a small group of members from Little Eggs (old and new) will be developing a new work, Symphonie Fantastique

Through live music, dance and movement, the Eggs will be exploring the disturbing love story of Hector Berlioz’s 1803 symphony. A queer and contemporary lens revitalises this production for the twenty-first century, with a tale that is uncomfortably familiar. 

We are so grateful to be back at KXT to explore this production at length. The value of a development period like this is undeniable and we hope to bring a full scale production of this theatricalised symphony in the coming year.

development imagery: Christopher Starnaswki

In 2019 Little Eggs launched our Popupstairs program with a blisteringly beautiful rendition of The Rime of the Ancient Mariner, a part of the JackRabbit season. They’ll be in KXT through October working up their next beauty as part of the bAKEHOUSE investment in new work.

SYMPHONIE FANTASTIQUE was to have featured as part of the 2020 Popupstairs program. We’re thrilled to invite the team to popdownstairs to KXT.

In development, led by Mathew Lee (The Rime of the Ancient Mariner; KXTeethcutting) with Oliver Shermacher

NEW WRITING

2020 has been a rough year. The cost of Covid to the arts community is immeasurable and we expect to feel its impact for years to come. At a time when audience numbers were limited meaning producers were unable to manage realistic budgets and pay artists, we decided to open the doors of KXT to our artistic community. thanks to the generous support of our partners at KX Hotel, we’ve been able to spend the past few months developing work, offering peer networking, connecting early career artists with industry mentors and upskilling producers.


RILEY SPADARO & LEWIS TRESTON

Hubris & Humiliation By Lewis Treston

It is a truth universally acknowledged, that a bogan mother who has lost her home to a predatory cat fish, must send her only gay son to Sydney to marry rich. Elliott Delaney, mediocre looking, kinda bright, poor as shit, understands that he must meet, woo and marry a member of Sydney’s homosexual aristocracy... but he’s still very much in love with his best friend back home, who is in love with someone else. In Sydney, is it better to be bold or will hubris only lead to humiliation?

From the pen of Patrick White Award winning playwright Lewis Treston and directed by self-proclaimed prince of camp Riley Spadaro comes Hubris & Humiliation, a Jane Austen inspired, raucous rom-com.

Workshop cast includes: Toby Blome, Gerard Carroll, Roman Delo, Shannon Dooley, Patrick Jhanur, Emma Kew and Elle Mickel.

A full house joined us for a public reading of Hubris & Humiliation at KXT on Wednesday 2 December at 6.30 pm.

pics: Matthew Predny


BITE PRODUCTIONS

PORPOISE POOL by Jojo Zhou

Bite Productions spends time developing emerging playwright Jojo Zhou’s Porpoise Pool ~ a one-woman show about gratification, expectation and our complicated relationship with technology.


BITE PRODUCTIONS

TWO TWENTYSOMETHINGS DECIDE NEVER TO BE STRESSED ABOUT ANYTHING EVER AGAIN. EVER by Michael Costi

Originally programmed for KXT2020 this production was in the final days of rehearsal, and only a few days away from bump in when lockdown forced the cancellation of all seasons. In the light of a global pandemic, isolation and social distancing, Michael Costi heads back into the room with the cast for an update


RATCATCH THEATRE

THE LINDEN SOLUTION by Alexander Lee-Rekers

Writer Alexander Lee-Rekers and Director Camilla Turnbull will be helming this development at KXT, working with performers Laura Djanegara, Lib Campbell, Mason Phoumirath and Patrick Cullen. They are thrilled to be working together again to further develop The Linden Solution for a new, uncertain world

In the time since the world shut down our economy went into freefall, a virus killed hundreds of thousands, QAnon conspiracies ran rife, class disparities grew more apparent, borders closed down, the climate emergency worsened, and underlying bigotries gained ground and ammunition


EYE CONTACT THEATRE

THE PARK by Simon Thomson (Storytellers Festival) in development with Emma Wright (Blue Christmas) and Jess Davis. Shortlisted for the 2020 Silver Gull Award

Eye Contact Theatre Co were to be staging Breathing Corpses by Laura Wade as part of the KXT2020 season. This production will be held over to 2021. Pick up your Pay It Forward tickets via the link on the KXT website


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Sunshine in Paddington chronicles three Sydney residents trying to make it; one’s an artist, the other a Chemist, and the new roommate? Wants to change the world…As we follow the events and stories of these characters, we get a glimpse into the counter-cultural movements of the last 30 years, from Ohms Not Bombs to today.

Led by KXT Production Assistant Charlie Vaux with Jasper Lee-Lindsay, Alice Ireland, Mat Lee, Lizzie Sheridan


FIGHTING by Xavier Coy

Director Claudia Barrie With Jay James-Moody, Lloyd Alison-Young and Jude Gibson

Fighting is an exploration into the mind of someone grappling with the day to day challenges of mental health. Xavier has battled mental health issues for years and decided to explore those challenges in Fighting.

“I had to find a way to channel what was happening in my head into the best way I know how, a play. This is the scariest play I’ve ever written – it’s the truest representation of how my brain works. I hope this can be an engaging, funny and moving play to continue to converse about the challenges of mental health.”

Director Claudia Barrie (Dry Land; You Got Older; DNA) gets together with Jay James-Moody (Herringbone), Lloyd Alison-Young (The Rime of the Ancient Mariner; Coram Boy) and the fab Jude Gibson (Straight) to take a look at new writing from one of Sydney’s most exciting young talents.



THE LABORATORY

The Lab Report / a showcase

PROGRAM - -

3:00 PM Saturday 12th December

Smoke & Glass By Margaret Thanos, Dir. Tasnim Hossain

With: Arkia Ashraf, Margarita Gershkovich, Rachel Seeto

Eleni, a big-city woman, has chosen to come and live in a firewatch tower in the middle of the forest. She’s sure someone has followed her, dragging the ghosts of her past life here into her new one. She lives alone in the tower, with only a man on the other end of the radio to keep her company. That is until she loses contact with the world outside and a fire, a 17 year old girl and a twisted reality begins to take hold.  

Smoke and Glass explores what true isolation really means, and how once calculated choice can ruin somebody else’s life. 


4:30 PM Saturday 12th December

Let Me Know If You Feel Something By Amber Spooner Dir. Tasnim Hossain

With: Laneikka Denne, Jeremy Lowrencev

Sixteen year old Emma and Joseph are navigating a confusing and uncertain first relationship all while trying to live up to the standards society set for them. Both present an unfailing confidence that stops them from asking the questions they don’t have the answers to. Emma finds herself questioning how things are really meant to be while Joseph feels the weight of responsibility his image provides. Consumed by their own feelings of guilt and pressure causes an act of violence they will never be able to take back. Told as mixture of monologue and duologue this story explores what we learn and what we chose to ignore.


6:00 PM Saturday 12th December

See What Sticks By Declan Coyle Dir. Saro Lusty-Cavallari

With: Will Bartolo, Kevin Batliwala, Pip Edwards, Lulu Howes

Tied down by the social etiquette of attending your employer’s housewarming, Zinnie and Omar brace themselves for Harriet and Rupert’s Grand Designed Monstrosity.

 The building is a ‘timeless’ modern piece of architecture however, a muddy footprint on the stained-glass window forces the Andersons to postpone their perfect housewarming. Again. And again and again, and again as the seemingly invincible mark sends them into a downwards spiral forcing them to question every choice they’ve made.


7:30 PM Saturday 12th December

Various Characters By Sime Knezevic Dir. Saro Lusty-Cavallari

With: Jane Angharad, Nicola Bowman, Kevin Batliwala, Jeremi Campese, Angus Evans, Emma Kew

The beginnings of adulthood. A new business to launch. The distracting heart of first love. The adventure of protest. The future is bright and exciting. It’s supposed to be like this.

Opinions compete. Death is random. People expect more from their neighbour. We have one common enemy. We need to belong to each other. There’s no time to waste.

Somewhere in the roundabout of south-west Sydney... it’s the year 2003. Residents of a small city council seek community and harmony on matters of local significance. A world of young citizens demand their older leaders to change course on matters of international significance. A different time altogether.

Various Characters is a play about the fast and slow of loss and grief and optimism. It’s about the first time you realise the future is uncertain.


3:00 PM Sunday 13th December

Square One By Rebecca Blake Dir. Rachel Chant

With: Julia Billington, Emma Kew

Gemma makes a promise to her ex-girlfriend to stay sober for 6 months whilst she settles back in her home town. Stubbornly determined to keep to her word, she struggles to resettle. With a looming hens night for her newly out cousin and Matt from Bank of Australia keen to help her make the switch, it feels like everyone has their shit together. Except her.

Her coping mechanism is to call and leave ridiculously long voicemails to her ex in an attempt to uncover where it all went wrong. Because isn’t that the healthy way to process your emotions?

Square One is about grief, addiction and finding your people. Told through voicemails.


4:30 PM Sunday 13th December

Oblivion by Alex Travers Dir. Saro Lusty-Cavallari

With: Pip Edwards, Shane Russon

A daughter dances in a sequin dance costume.

A mother threads time.

A father forgets.

As memory collides with fragmented narrative in a world rendered by empty promise, a husband and wife play a lullaby on loop; tantalisingly close to finding their daughter and losing themselves. Set somewhere between the 1970s and now, Oblivion plays an uncanny host to a tiny kingdom of marital habit, family ties and love at every cost.


6:00 PM Sunday 13th December

Sweet Darling Baby Boy by Jasper Lee-Lindsay Dir. Saro Lusty-Cavallari

With: Zoe Crawford, Angus Evans, Cameron Hutt, Susan Jordan, Madeleine Stedman

Audrey has given up and is ready to drink away her days when her eldest son, Nick, kills himself. She wants to commemorate him by putting him on her community’s Honour Wall. But Nick wasn’t exactly an upstanding citizen, and with the town's pride and reputation in the middle of a revamping, Audrey might be bringing something to the surface they would rather forget.

Through a dark satirical lense aimed at suburban Australian culture,Sweet Darling Baby Boy examines how we deal with tough topics, and tackles the conflict between emotional nuance and social acceptability.


7:30 PM Sunday 13th December

Midnight by Eric Jiang Dir. Saro Lusty-Cavallari

With: Jeremi Campese, Sean Foster, Idam Sondhi, Tiffany Wong 

Everyone knows when there's a lull in the relationship it's time to spy on the neighbours. Just know that they're spying back. As Nina gets more and more obsessed, she soon finds herself entangled in a mysterious research experiment called Midnight. Apparently it's all the rage, but where's the exit? Will she ever escape Midnight? And will she ever get her tupper-ware back from the neighbours?



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Following on from an open call out earlier in the year, the following Laboratory participants were announced:

Margaret Thanos - Declan Coyle - Caitlin Doyle Marwick - Eric Jiang - ŠIME KNEŽEVIĆ - Jasper Lee Lindsay - Alex Travers - Rebecca Blake - Amber Spooner




since May 2020 writers have participated in weekly online meetings with additional dramaturgical support from the program’s leader Saro Lusty-Cavallari. “These meetings are an opportunity to share work, ask for help and support each other as we attempt to develop our practice from within the confines of our own home”

The program culminates in a showcase of work


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OPPORTUNITY

bAKEHOUSE and Montague Basement are on the lookout for actors to participate in a series of developments and public showings for the new works created by participants in The Laboratory program. We will be working on each script with two workshops across the week of 7-11 December with public showings that weekend. This is a great opportunity to get back into a rehearsal room and perform before an audience again after the mess that has been 2020. If you're interested in participating please send a CV to montaguebasement@gmail.com with the subject line "LAB ACTOR" and we'll get in touch if an appropriate opportunity arises.

Please note that if you have already submitted to our callout for actors for workshop you are still under consideration.


Over the last few years there has been an explosion of new work across Sydney’s independent stages. As the quality and quantity of the sector grows more and more original voices are beginning their careers at independent venues like KXT, where they benefit from the support of a dedicated and local artistic community. Not only is the creation of this work absolutely vital in it’s own right; in creating an original, local and contemporary voice for our theatre but it also serves as a launchpad for the next generation of major playwrights. Mainstage companies simply do not have the space available to program and support the amount of writing talent that is emerging in Sydney and the independent sector is vital in nurturing this talent. However the lean and streamlined workflow of an independent production can be an unforgiving process for emerging artists, with little formal support between an idea and a first presentation.

This is why bAKEHOUSE and Montague Basement are teaming up to run the The Laboratory, a writer’s circle program for developing work, peer networking and dramaturgical support. The Laboratory seeks to mirror many of the opportunities provided by mainstage programs and drama schools but with a focus on the particular demands of the independent sector as well as nurturing the wonderful artists that finds themselves on the out of these programs.


PHONE A FRIEND

the bAKEHOUSE Step Up program supports new artists, companies and work. bAKEHOUSE has long provided opportunities and mentoring, pairing new and emerging artists with professional and experienced practitioners in the crucible of production. The Step Up program at KXT is a formalisation of this, a way of providing the best opportunities to the best people. STEP UP is a philosophy ~ a way of working in our sector that connects artists; builds pathways; nurtures new work

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2021 with interruptions to business due to the July lockdown in Sydney we moved the Step Up team to a platform of online and digital networking, building relationships with peers and initiating introductions to arts leaders. Stay tuned for news and updates

our thanks to the following artists who generously shared their time

Faezeh Jalali (Mumbai); Rachel Chant; Danny Ball; Imogen Gardem; Alexaner Lee-Rekers; Eliza Scott; Amanda Lee-Stephens (UK)

With special thanks to program facilitator Rebecca Blake


2020 With the closures of theatres across the country we looked for ways to support those artists we had either worked with in recent years or were about to work with in 2020. Those who had seen a year of work disappear, who had momentum and were well positioned to make important career advancements this year.

the Phone A Friend program connects artists with the KXT leadership team, their peers and colleagues, and industry figures. the program features a mix of actors, writers and producers and includes:

Madelaine Osborne - Deng Deng - Laneikka Denne - Michelle Sverdloff - Laura Djanegarra - Karina Bracken - Em Richardson - Bardiya McKinnon  

 

Our thanks to the following mentors: Dom Mercer, Damien Ryan, Shaun Rennie, Tobias Manderson-Galvin, Kristine Landon-Smith, Joanne Kee, Dino Dimitriadis, Shane Bosher, Jeremy Waters, Erin Harvie, Katie Shearer, Erin Taylor, Richard Carroll         

            

 
 

the KXT bAKEHOUSE RESPONSE TO COVID

Rather than close the doors and wait it out, bAKEHOUSE led the way with a commitment to increased investment in our Artists, through a broad program of investment in writing, rehearsing, mentoring and development. When doors opened again we prioritised emerging artists, showcasing new work and young practitioners, fast tracking new writing and providing and intense program of opportunities.

We formalised our bAKEHOUSE Residency program, and to date six seasons of work developed during this time has been staged at KXT and other venues in Sydney

We launched By Design, an ongoing initiative for designers and visual artist

We established Phone A Friend, now a part of our Step up mentoring program

We supported a group of Associate Artists as they formulated the next steps in their career development

BounceBack continued our ongoing producer support program, The Laboratory somehow managed to survive and thrive, and with the support of KX Hotel we were able to offer audiences a broad range of free and low cost events

In 2021 we kickstarted StoryLines with an extended and award winning season presented by Tiffany Wong’s company Slanted Theatre. We partnered with Laneikka Denne to launch The Monologue Collective a writers program investing in teenage playwrights. We hatched a plan for a program of queer writing, we rebooted Storytellers, we partnered with Panimo to offer unprecedented opportunities for young artists.

See below for more about the KXT Covid response in 2020 and 2021

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We’re Opening the Door of KXT again. Our focus is on Artist Support and Engagement, and new work. Featuring the bAKEHOUSE Residencies at KXT.

THE COST OF COVID KXT provides unmatched support for the artistic community in Sydney. Our closure has meant the cancellation of the following • 10 full scale productions • 9 pop up seasons • 3 platform programs for new writers • 2020 mentoring team • 6 scheduled play reads (in partnership with Legit theatre) • 6 networking events (in partnership with Panimo) • Step Up: A year long program of mentoring including 9 production placements (internships); 10 foyer meet-ups; 4 artists networking opportunities

KXT was not cancelled

Rather all shows that would normally have been running during the lockdown period were postponed to a later date. Since March 2020, KXT has built on our existing artist support programs, offering opportunities and upskilling to emerging artists, writers, producers and designers.

In 2019 a total of 21,928 people attended productions at KXT. 475 artists participated in productions with additional artists participating in our many industry support programs and events. Also in 2019: KXT provided opportunities for 103 working artists in production support and technical design. KXT2020 was on track to exceed these figures.

So while we waited …

In 2021 we supported 12 producers, 7 companies, 3 designers, 10 emerging writers and 6 directors. We’ve got a couple of covid commissions in the pipeline. We continued our Covid response programs Phone a Friend and Pay It Forward, and rolled out further initiatives designed to keep us connected and moving forward together.

the bAKEHOUSE RESDIENCIES at KXT …By reopening with a broad program of Artist Support we equipped producers and companies to quickly deliver quality productions, investing in the future success of their work. Producer-led teams moved into the theatre to develop scripts, and explore and imagine new projects.

DESIGNERS …bAKEHOUSE commissioned three independent designers and artists for something a little bit special

#PAYITFORWARD …the bAKEHOUSE investment in producers and production companies, assisting theatre makers to prepare for the reopening of venues delivered significant funds for all companies, covering costs incurred and paying artists

THE LABORATORY …a bAKEHOUSE / Montague Basement partnership developed work, and offered peer networking and dramaturgical support

PHONE A FRIEND …a personalised mentoring program assisted early career artists to stay connected in the time of COVID

PRODUCER UPSKILLING BounceBack … a digital program of personalised meetings guiding producers through budgets, marketing and promotional campaigns, design, personnel, and product delivery. By running these during the Covid closure, we equipped producers and production companies to quickly deliver quality productions when trading recommenced, and invested in the success of their seasons

COVID COMMISSIONS …There wasn’t a lot of spare cash around but thanks to some brilliant private supporters and the generosity of KX Hotel, we were able to scrape together a little something to invest in a couple of very exciting new *commissioned* works.

EVENTS keen to get audiences back into the theatre as well, so we planned a number of free events at KXT, with the option to support the artists with donated tickets. LEGIT Theatre brought back KXTeethcutting; Rebekah Robertson launched ANALOGUE and our designers hosted film nights and exhibitions.


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LIFT OFF || KXT2020

December 2019: a couple hundred of us headed upstairs to the KX Hotel rooftop to celebrate the launch of KXT2020. We were all there to enjoy that special KX ambiance, to celebrate another year of indie theatre and to cheer in the next season. Before the directors and producers introduced their shows, Suzanne got things started with a look back and sneak peek forward

“In 2019 KXT hosted 17 KXT shows, 11 Popupstairs seasons; 3 Festivals - Step Up, Storytellers, Pop Up Come Out. As we look back we’re part proud of our investment in new work, emerging artists, inclusive and representative programming; gender equity and opportunities for emerging and early career artists. Since launching KXT has championed new work, providing both a platform for emerging and established writers, and a space for development. And in 2019 KXT was home to an unprecedented number of premiere works, as a part of the JackRabbit takeover; in the Popupstairs program; with the launch of Write Up; and as a part of the KXT2019

KXT2019 included Leopardskin by Michael McStay ★ The Rime of the Ancient Mariner by Little Eggs Collective ★ A Little Piece of Ash by Megan Wilding ★ Omar and Dawn by James Elazzi ★ Step Up Festival ★ Ignite by the writers of New Ghosts Theatre ★ Rosaline by Joanna Erskine ★ nomnomnom at KX by Roshelle Fong ★ Storytellers Festival ★ UBU by Richard Hilliar ★ Maureen, the Harbinger of Death by Jonny Hawkins ★ Doing by Amy Sole ★ Infidelity and Enlightenment by Lauren Bonner ★ Falling Skies by Braden Frascone ★ Rudy & Cuthbert Toby Blome and Zelman Cressey-Gladwin ★ Surf Séance by Rachel Kerry ★ A Little History Play by Caleb Lewis ★ Betty Breaks Out by Liz Hobart ★ Sheds in the City by Charlie Vaux ★ But You Don’t Look Sick by The C CollectiveHoney Boo Boo Blood & Gore by Carissa Licciardello ★ Confessions of a Custard Melon Pan by Arisa Yura ★ Fortitude by Richard Graham ★

All of this?? New Australian writing

A benchmark of KXT has always been our work in GENDER EQUITY In 2016 we began as we intended to continue: with Invisible Circus, curated by Siren theatre & bAKEHOUSE TheatreCo: a month long celebration of the work of women by women. Programming at KXT has continued to feature multiple women-led projects. 2017: 8 female directors; 14 female writers ★ 2018: 12 women directors; 10 women producers; 8 shows designed by women; 8 plays written by women. Inaugural Storytellers festival: 14 women playwrights + 13 women directors ★ And this year: 15 female directors, 14 female producers, 15 female writers, 21 female designers PLUS many dozens of actors, directors and writers participating in the Storytellers Festival.

We’re proud to be at the forefront of DIVERSE AND INCLUSIVE WORK With shows like Jatinga, Black Jesus and the Laden Table, The Serpents Teeth, Good Dog, A Westerners Guide to the opium Wars, Are We Awake, Omar + Dawn, A Little Piece of Ash, Kaleidoscope, and more bAKEHOUSE has set the benchmark for inclusive and representative work that puts Sydney on the stage. This year we were home to 8 projects telling diverse stories

At bAKEHOUSE we have a long held record of COMMUNITY ENGAGEMENT AND PARTNERSHIPS And in 2019 we structure this into the KXT Crossroads program, where art and community intersect. Featuring partnerships locally and internationally including ACON; AAWC; Oz Harvest; Chris O’Brien Lighthouse; Smith Family, SSEG, The All Saint Africa Centre and much more. We believe that contrary to the opinion of our politicians and commentators theatre is more relevant today than ever, at a time when many of us seek connection and community. At KXT BAKEHOUSE continues its commitment to theatre for social change, using the resources available to us to positively impact on our world and the people in it.

Many NEW COMPANIES have been birthed at KXT Producers are a rare breed: driven by equal measures unstoppable passion and pragmatism, these unsung heroes make the work possible. If you’ve self produced you’ll appreciate the value of a wise producer. We need more of them, and they need your support. At KXT we’ve been assisting new companies to viability, with an unprecedented program of marketing and production support and financial subsidy, with many launching at KXT including Last One Standing Theatre; Green Door Theatre Co; Pip and Hann Inc; Manifesto; the Anchor; HBR Creatives; Some Company.

IN 2019 The Step Up program was back for its second year, and it hit its stride. Step Up is the formalisaton of a long held bAKEHOUSE philosophy: providing opportunity and support for new and emerging artists by setting them alongside professional and experienced practitioners. In this way we:

·      Support the early work of emerging writers

·      Provide platforms to showcase promising young actors

·      Create relationships and pathways for designers and production practitioners

·      provide opportunities for directors, producers and future leaders

·      Champion companies as they strive to achieve and expand

And by investing in the Step Up team we’re fast tracking the Next Big thing, who built and hosted a festival, attended shows, ran meet ups, built industry connections, landed placements with some of our leading companies, and received personal support and guidance. In 2019 KXT was home to more than 20 emerging directors, writers, producers. In 2020 we’ll open up apps for Step Up in February, with the team ready to jump into things in March.

A feature of 2019 was POPUPSTAIRS | providing MORE SPACE FOR MORE ARTISTS we partnered with KX Hotel to launch a creative space sharing program. Through the year, the Popupstairs pilot project ran short seasons of new and experimental work in the Bordello, the rooftop and the Glasshouse. From time to time we crept into Dive Bar, and on the odd occasion we took audience into the basement.

This year Kings Cross Hotel hosted movement work, some clowning, a site-specific adaptation of a German great, a nuts take on a classic, heaps and heaps of new writing, There were no fancy posters or glossy programs, the chairs are orange and the lighting is limited. We didn’t have a heap of promo going on. But you could expect to see the unexpected. And it took off with sold out seasons, huge responses, and great reviews. Thanks to KX Hotel the program will be back in 2020, new and improved. Its an uncurated program where we match shows with dates. Tomorrow morning you can jump onto the website and pop in your app. We have 11 tiny seasons available and we’re looking to fill the spots with the most interesting new work going.

So Popupstairs opened up 3 additional performance spaces in the hotel; Charlie and Andreas opened the door to dozens of new artists during their HiJacked Rabbit venue takeover running double bills, short seasons and multiple spaces; Joanna Erskine’s Storytellers returned with even more writers, actors and directors launching new work, more than 120 artists; and Legit Theatre Co took the KXTeethcutting Play Read program to exciting new places. If you make a space for artists, they’ll fill it

KXT would not be a viable operation without the support and partnership of staff and management at KX Hotel. These legends meet, greet and serve our audience; help us manage lift access; support our Opening Nights; come to the shows; help us deal with noise spill and early evening party goers; take care of security; keep an eye on regs so we don't burn the joint down; roster staff to suit our shows; move chairs around levels; jump into bar service when we're in the Bordello; print up signs; provide support to community partnerships and free events; coordinate live music and DJs around our business; and generously support us with all sorts of deals and discounts. Shout out to Reece, Miles, Kayla and Maddie and a whole heap more excellent sorts that keep the wheels turning on a 6 level night club with a theatre in the middle. It shouldn’t work, but somehow it does

A large part of what makes all this work is the people. In 2020

·       Charlie Falkner is back, working most closely with companies on new work, as we wrestle with the challenge of giving premiere Australian plays a further life. He’ll be a key part of our management and decision-making team, and from time to time will take up the reins. Much like HiJacked Rabbit and pretty much everything at KXT we’ll be making it up as we go along, responding to the needs and necessities of a vital but under resourced industry. He’s here somewhere tonight, buy him many drinks and thank him for all he has done, and all that he will do next year.

·       we’re partnering with Montague Basement to invest in 2 key areas; support of new and emerging producers and production companies, and investment in early stage writers. Imogen and Saro are jumping into the room to assist young artists as they build a way forward in an uncertain industry, and assist them to find a way to a viable and sustainable career. They’re a frighteningly over qualified team and we are just thrilled to have them on board

·       Panimo creatives will be providing networking, relationship building and support for young and emerging artists

 ·       KXT Artistic Assoc Rebecca Blake is back to guide and support the young artists of the Step Up team

·       This year Charlie Vaux takes over the reins of the Popupstairs program

·       Mat and Annie continue their winning ways with Legit theatre co continuing to deliver top notch play reads for KXTeethcutting

On behalf of John and Andrew I extend the hugest of thanks to Charlie, Imogen, Saro, Rebecca, Charlie Vaux, Annie and Mat, Jodie, Jack and Ewan.

So what does 2020 hold?

·         18 seasons

·         8 world premieres, 4 Australian premieres, 2 Sydney premieres

·         5 plays telling the diverse stories of 2020

·         5 plays that have been programmed following readings at Storytellers Festival or KXTeethcutting, or through the Step Up program

·         10 female directors

·         9 female writers

·         11 female producers (and more to come)

·         13 female designers (and more to come)

·         24 early career writers, directors & producers

Of KXT David Berthold says: “so good to have this venue doing consistently good work. It’s a glory: what can happen when artists take over a room and make it their own”  

Thank you for making KXT your own. We’ve been thrilled and overwhelmed by the response from so many, we’ve been heartened by what we’ve all been able to achieve and we’re excited for the next 12 months. KXT is in the heart of the X in the heart of the city, and there’s a lot of heart here tonight.

See you in 2020”

Suzanne x















bAKEHOUSE at KXT…

as we head into the launch of KXT2020 we take some time for our annual look back


Gender Equity at KXT

In 206 we began as we meant to continue: showcasing the work of powerhouse and tenacious women of our industry, dedicating a month of programming to the INVISIBLE CIRCUS a platform for the writing, art and ideas of artists who just happen to be women.

Co-curated by Kate Gaul of Siren Theatre and Suzanne Millar of BAKEHOUSE, featuring 3 plays in rep, and a series of rehearsals and events, KXT was handed over to the quiet achievers who have been getting the job done.

2017: 8 female directors; 14 female writers; 17 producers who happened to be women; 10 writers who happened to be women

2018: 12 women directors; 10 women producers; 8 shows designed by women; 8 plays written by women. Inaugural Storytellers festival: 14 women playwrights + 13 women directors

2019: 14 women writers; 11 women directors; 13 women led teams

 

“there was nothing for people like me – millennial girls – and I was struggling to find writing that talked like I did, or spoke about the things I speak about” Pippa Ellams, to Audrey Journal about her work at KXT

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Inclusivity and representation at KXT

bAKEHOUSE has a long commitment to inclusivity and representation, leading the sector in diverse stories and casting as long ago as 2009 with the inaugural StoryLines festival. Since launching the company 11 years ago we’ve demonstrated a commitment to putting true Australian stories on our stages

2017 Jatinga, an international collaboration with Mumbai based theatre companies

2017 The Laden Table a multi writer piece developed over 4 years

2016 Black Jesus the first BAKEHOUSE prod at KXT launching Elijah Williams professional career and marking out KXT as a home for global stories

2015 I AM WE ARE community based project in Mt Druitt using theatre to provide pathways to university for our newest citizens

2014 His Mothers Voice at ATYP another large cast show with 13 Australian Asian actors

2013 Two Chair 22 actors from 19 countries with 13 languages for CRACK festival

2012 Coup d’Etat giving Mulim women of Malyasia a platform for their stories

2012 Junction with Guy Simon and Stacy B

2012 A Land Beyond the River the story of refugees from Sierra Leone and Sudan

2009 StoryLines Festival featuring the world premiere of Burkini by Alan Valentine

2008 her holiness faiths collide in a story of female empowerment

Along the way we’ve partnered with multiple organisations, NFPs and charities to connect vital stories to their communities.

Since launching KXT our Crossroads and Chesterfield programs have ensured that our work is relevant, urgent and honest.

Want to see Sydney on the stage? Head into the cross


Key Programs at KXT

POPUPSTAIRS

MORE SPACE FOR MORE ARTISTS

In 2019 we partnered with KX Hotel to launch a creative space sharing program, opening up more spaces to more artists. Through the year, the Popupstairs pilot project ran popup seasons of new and experimental work in the Bordello, the rooftop and the Glasshouse. From time to time we creeped into Dive Bar, and on the odd occasion we took audience into the basement.

There was an enthusiastic response from artists and audiences alike, and the season took off. Cheers to these legends for jumping in boots and all

Thanks to KX Hotel the program will be back in 2020, new and improved. Head along to the KXT2020 launch to hear all the details Sunday 1 December at 7.00 pm on the KX Hotel Rooftop





Investing in the future.

The Step Up program is the formalisaton of a long held bAKEHOUSE philosophy: providing opportunity and support for new and emerging artists by setting them alongside professional and experienced practitioners. In this way we

·      Support the early work of emerging writers

·      Provide platforms to showcase promising young actors

·      Create relationships and pathways for designers and production practitioners

·      Mentor directors, producers and future leaders

·      Champion companies as they strive to achieve and expand

by investing in the Step Up team we’re fast tracking the Next Big thing


In 2019 we invested in

Development

of new work: Write Up provided space and time for a first look at 7 new works

click for more

click for more

Investment in new writing

KXT has been home to an unprecedented number of premiere works, as a part of the JackRabbit takeover; in the Popupstairs program; and as a part of the KXT2019

click for more

click for more

More space for more artists

Charlie and Andreas opened the door to dozens of new artists during their HiJacked Rabbit venue takeover; our creative space sharing partnership with KX Hotel opened up 3 additional performance spaces in the hotel; Joanna Erskine’s Storytellers returned with even more writers, actors and directors launching new work; and Legit Theatre Co took the KXTeethcutting Play Read program to exciting new places.

Pathways for emerging artists

this year Step Up delivered in spades with regular meet ups; mainstage engagement; a major festival; and exciting relationship building.

click for more

click for more


Since launching KXT has been at the forefront of:

Diverse and inclusive work

Investment in new work

Community engagement and partnerships

locally and internationally including ACON; AAWC; Oz Harvest; Chris O’Brien Lighthouse; Park Theatre; and much more

Gender equity

In 2016 we began as we intended to continue: with Invisible Circus, curated by Siren theatre & bAKEHOUSE TheatreCo: a month long celebration of the work of women by women. programming at KXT has continued to feature multiple women-led projects

click for more

click for more

new companies

Supporting and assisting new companies to viability, with many launching at KXT including Last One Standing Theatre; Green Door Theatre Co; Pip and Hann Inc; Manifesto; the Anchor; HBR Creatives; Some Company


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We're launching KXT20202 on Sunday 1 December 7.00 pm up on the Kings Cross Hotel rooftop If you're in for the night make sure you high five the staff on the bar...

KXT bAKEHOUSE would not be a viable operation without the support and partnership of staff and management at KX Hotel. These legends meet, greet and serve our audience; help us manage lift access; support our Opening Nights; come to the shows; help us deal with noise spill and early evening party goers; take care of security; keep an eye on regs so we don't burn the joint down; deal with the occasional dropped ball; roster staff to suit our shows; move chairs around levels; jump into bar service when we're in the Bordello; print up signs; provide support to community partnerships and free events; coordinate live music and DJs around our business; and generously support us with all sorts of deals and discounts.

Shout out to Reece, Miles, Kayla and Maddie 2019); Josh, Ben and Tara (2017 + 2018); Lloyd, Alex and Rose (2016) and a whole heap more excellent sorts that keep the wheels turning on a 5 level night club with a theatre in the middle.

PARTICULAR THANKS TO KX HOTEL FOR

  • Mardi Gras 2016 - 2019

  • Vivid Sydney 2016

  • Visiting Hours multi level immersive 2016 & 2018

  • Invisible Circus 2016

  • Sydney Fringe 2018 & 2019

  • Popupstairs 2019

  • season launch 2017, 2018, 2019

  • Christmas Eve Dinner 2017

  • the Glasshouse 2018 & 2019

  • Dive Bar artists hangout 2019







































































WARNING

Content warnings are on the feed again. We used to think - like many others - it was an unnecessary indulgence but ......

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We have been in the theatre on 2 occasions when an audience member has been triggered. Once without a foyer announcement or program warning... Terrible thing, just awful. Someone headed out to the theatre for a night and found themselves reliving the most difficult moment of their life. No one would went to do anything to cause such trauma. No one would want to be responsible for that

The second time was with a foyer warning and program and online information. Again, a truly awful thing for anyone to experience. But there was some comfort in knowing that this particular audience member had made a decision to attend based on all the information made available to them.

We have also been in the theatre when someone fainted due to confronting content on stage, and the show was stopped. An incredible display of professionalism followed from ushers who cared for the young man, to the young women on stage who waited in character at the most difficult moment of the play, and the stage manager who called the stop and then the restart.

And we have been in the audience of a play so controversial that we received an email in advance from box office with warnings. And when someone became unwell during the perf due to content, the show was stopped and a well oiled machine moved to make sure she, the audience around her and the cast were safe and well. And an incredible cast picked up perfectly when all was calm

We programmed a play so challenging in form and content that half the audience walked out during the first preview (one shaking her head and muttering to FOH ‘good luck with that’). Literally half the audience. By opening we had tweaked the warnings and content information and the rest of the season went smoothly.

At KXT we often program risky and challenging work. We’re a theatre in a pub in the heart of the city’s so-called but fading red light district. If you’re going to see a play with confronting content it will be here.

We have regularly staged work that other venues have turned down due to content. (We also program happy plays that make you smile and laugh but this post is not about that)

Also we support emerging artists and emerging work, which may mean theatre that pushes the boundaries. It’s how you find the new and exciting voices of the next generation of theatre makers.

Content warnings allow theatre makers to push boundaries, to explore the power of theatre, to discover their (or their audiences) “line in the sand” and to do so freely, confident that they do no harm.


⚠️ WINK by Jen Silverman contains adult themes and nudity